Any fans of Death From Above 1979, Rush or even Danko Jones know that we Canadians have so much angst in our souls that it only takes a couple of us to create a full-sized rock band. Mares of Thrace bear out this theory on The Pilgrimage, with only two young ladies on drums and baritone guitar making a hellish and compelling amount of noise.
Sonically, the album bears a good deal of resemblance to other prog/sludge acts like Baroness, with abrupt time changes, whisper-to-scream vocals and lyrical paeans to the uglier side of human nature (in the case of The Pilgrimage, the narrative framework is the story of David and Bathsheba).
Mares of Thrace will be ones to watch in the years ahead. Any band that can tour in a minivan and still have their own driver has the opportunity to cultivate a fanbase nationwide and beyond. 8 out of 10