Archive for Suicidal Tendencies

Wrap Up: Heavy MTL 2012

Posted in Uncategorized with tags , , , , , , , , , , , , , , , , , , , on November 13, 2012 by Lightning Slim

Getting True Strong and Free up in here.

Hey all, now that there’s snow on the ground here it’s probably time I got off my ass and shared some thoughts on this year’s edition of  Heavy MTL. You know, while it’s still the same year. The 2012 edition will likely be remembered as The Year It Finally Rained, and rain it did for much of the Saturday. That didn’t stop the bands, however, and it certainly didn’t stop me and my crew from getting down and especially dirty in the mud pits of Montreal.

Into the Pit! Wait no, too old, too scary! WHAA!

Big Hit: The word of the weekend was OldSkool, with both Overkill and Suicidal Tendencies absolutely laying waste to the place before a crowd that was eager to receive their 80’s thrash offering. Both bands seemed fresh and vital, with ST in particular back from the dead with a parade of rock-solid hits.

Still Cyco.

Big Miss: Marilyn Manson was an unmitigated disaster. Sloppy play, uninterested banter, poor singing. And this from a band with one of the prime stage slots, which makes it insulting,  considering there were so many small, more interesting bands working their asses off on the same weekend.  From what I’m hearing, this unprofessional behaviour has continued, as well. Slipknot was a bit auto-pilot as well, truth be told, presenting us with a lot of clown-goes-up, clown-goes-down and a distinct lack of the same chops that captivated folks back in the day.

No pictures of those loser bands. Here’s one of Overkill instead.

Great as Expected: Gojira, Kataklysm, Cannibal Corpse. Killswitch Engage had a powerful set with new/old frontman Jesse Leach, holding audience attention even at the height of the rainstorm.

Kataklysm rocks the MTL.

Pleasant Surprise: Who knew the NWOBHM was alive and well in suburban Quebec? 80’s rockers Sword put on a clinic on the third stage, putting me in mind of Grim Reaper and Mercyful Fate. Late on Saturday, Battlecross tore up the place in front a few in-the-know folks, making it feel like a private show. Very cool.

Sword. Spooky! Psychedelic! Wrinkly!

Mo’ Canada: In addition to Sword, we had more Canuck action than ever this year, with Voivod, The Agonist, Diemonds, battle of the bands winners Hollow and many more. Hell, even old chestnuts B.A.R.F. put foot to ass for our listening pleasure. The local scene is always one of my favourite things about Heavy MTL, and this year was stellar.

Hollow. Later spotted peeling off their elaborate corpse paint in the Jagermeister Hot Tub (not kidding).

Organization Bad: C’mon, guys. Let’s talk about line-up. Here are the headliners, year by year:

2008 – Iron Maiden + Motley Crue

2010 – Rob Zombie / Korn + Slayer / Megadeth

2011 – Godsmack / Disturbed + KISS / Motorhead

2012 – System of a Down / Five Finger Death Punch + Slipknot / Marilyn Manson

It’s not what I’d call a direct decline, but does show evidence of corner cutting, as did the late arriving, inaccurate, single-page “programme”. Let’s hope we can see them lure at least one Metal God here in 2013.

Organization Good: The nuts and bolts stuff seemed well in hand, with better access to drinking water,  and more (and more interesting) foods than years previous. It rained and they gave out raincoats, so that wasn’t too shabby. Heavy MTL remains the most consistently easy festival to enter in my experience, with the journey from the subway car, lining up, scanning tickets and searching bags all taking less than 15 minutes.

Mrs. Slim did say I should get outside more.

The Vibe: As always, the best in the biz. It’s what keeps us coming back. These are our people, gathered together in an easy-going place. The fact that we have such a place and that they offer a variety of bands to enjoy and complain about is something to be celebrated.

I like to think RJD sent this after the rain.

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Deals and Steals: Juggling Genres

Posted in Deals & Steals with tags , , , , , , , , , , , , , on August 21, 2010 by Lightning Slim

  This shipment from Second Spin is all over the place. Those fine folks missed two of my selections (Eluveitie and Suicidal!) due to an online inventory problem, and actually went to the trouble of emailing me an apology and a coupon. Not bad! Here we go, prices in Cashitos Americanos with nada shipping :

VNV Nation – Of Faith, Power and Glory $8.99. Electronica masterminds continuing down the path of pop.

Prong – Scorpio Rising $4.99. Good price on a “lost” record. Review is already up!

Junkie XL – Radio JXL: A Broadcast from the Computer Hell Cabin $8.99. This is the Koch records version, which I’ve been looking for since I found out my Roadrunner version omits the Elvis remix on the disc pressing. Further inspection reveals other serious differences in tracklists. Stuck with keeping both!

Insane Clown Posse – Bang! Pow! Boom! $7.99. It’s fine. I’m an aficionado of pop culture. It’s not like I go to the Juggalo Gathering or anything. It’s fine.

Behemoth – Evangelion $8.99. Decent pricing on digipak with bonus DVD. Heavy as shit, too.

Deicide – Best of Deicide $7.99. Glen Benton’s contributions to Roadrunner United provoked some curiosity to hear more.

Ozzy Osbourne – Essential Ozzy Remastered $10.99. Nice selection of goodies when the mood strikes to remember when he was a working musician.

And the big enchilada of my unwittingly latin-flavoured batch of spiciness:

  Excessive Force – Conquer Your World $8.99. If you’re a KMFDM fan or someone who wished the recording of the early side-projects was better, rest assured the remasters coming out of Metropolis records are serious improvements with bonus tracks, better artwork and extensive liner notes.

Classic Album Review – Suicidal Tendencies “Lights…Camera…Revolution” 1990

Posted in Album Reviews, Sevens to Nines with tags , , , , , on February 23, 2010 by Lightning Slim

Fond memories of “Trip at the Brain” and “Institutionalized” notwithstanding, 1990’s Lights… held all the right ingredients for the most successful period in ST’s history. Not only did this one blow up big on the strength of opener “You Can’t Bring Me Down”, Mike Muir and Robert Trujillo were also producing great  sounds as the Infectious Grooves. There’s a taste of that side project’s urban roots on  funky second single “Send Me Your Money”, but what the band mostly do with their newfound cash and production muscle is indulge their inner Ozzy. Everything is big, operatic and sprawling, a tactic well-suited to updating their melancholy period (“Alone”) and punk roots (“Disco’s Out, Murder’s In”) alike.

It’s slick, it’s cohesive and it holds up well over the years. Unfortunately, the sheer accessibility of Lights…Camera…Revolution would lead the band to question their own street cred and self-sabotage in a messy spiral,  culminating in a dull thud of garage-punk that never held the hunger of the early years or the intelligence of this time. One of the first trumpet blasts of a charge that would see the ascendancy of Rage Against The Machine, this document of revolution endures. 8 out of 10

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